Maurizio Bolognini Sealed Computers, These computers are sealed an
- Maurizio Bolognini Sealed Computers, These computers are sealed and left to work indefinitely, and also remain unconnected to any kind of output device. At that time I also began to seal some of these machines (Sealed Computers) by closing up the monitor buses with silicone, in such a way that they continued to produce images that no one would ever see. In the main these are conversations with curators and art historians (including Simonetta Lux, Domenico Scudero, Terri C. In der Sealed-Computers-Serie sind die Monitoranschlüsse mit Wachs versiegelt, so dass niemand sehen kann, was für Bilder die Maschinen generieren. Well known in Europe as a cutting edge conceptual artist, Maurizio Bolognini introduced a fresh philosophical inquiry on computer technology. Atelier de la Lanterne, Nice. From the lengthy list of works on the Wikipedia page, Maurizio Bolognini ‘s Programmed Machines immediately jumped out at me. Maurizio Bolognini, artista e ricercatore, tra i primi a dedicarsi alla sperimentazione delle tecnologie digitali. His installations explore the implications of new media technologies starting from the minimal and abstract activation of processes that are beyond the artist's control, at the intersection of generative art, public art and e-democracy. Mario Costa "This limit of consciousness at the edge of the anthropic principle is demonstrated in Maurizio Bolognini’s Sealed Machines (1992). Maurizio Bolognini, Infoinstallazioni, 2003. His installations explore the potential and implications of new media technologies starting from the minimal and abstract activation of processes that are beyond These were computers I programmed to produce endless streams of minimal, abstract and out-of-control images. 1ro B Nada como Invisibilidad Art&Language Robert Barry Roland Roos i Maurizio Bolognini Computadoras selladas, 1992 Computadoras selladas, 1992 back cover The book brings together some conversations about art and the new technologies, conducted by Maurizio Bolognini between 2004 and 2011. Bolognini not only questioned the place of the artist in the digital age by teaching computers to create images forever, but he also foresaw the trend in graphic design toward algorithmic and generative methods. PRINCIPALI LAVORI - Computer sigillati / Sealed Computers (1992-) - IMachines (IMs) (1988-) - WMachines (WMs) (1988-) - Maps / Mappe (1988-) - Room #11 / Stanza 11 i Maurizio Bolognini Sealed Computers, 1992 × GF Nothing as Reduction Nothing as Lacuna A B The project series Sealed Computers by Maurizio Bolognini point us to what might form the most significant line of force in the field of software-based art. On this latter subject he has published several essays and a book entitled Democrazia elettronica (Carocci, Rome, 2001). His installations explore the aesthetic and social implications of new media, investigating various dimensions: the possibility of delegating his artistic action to the infinite time of the machine, generating out-of-control infinities (endless images, inexhaustible It is in these terms, I believe, that we can consider both my Image Machines (1988-) and Sealed Computers (1992-), machines which I program to produce flows of random images and which I then leave to work indefinitely [2-6]. Programmed Machines is a conceptual installation consisting of hundreds of computers that he programmed to generate never-ending flows of random images. Questioni di storia, classificazione e conservazione delle installazioni video-mediali', University of Tuscia, Faculty of the W Machines, Neon, Bologna, 2004 Maurizio Bolognini Digital work, immateriality and preservation Conversation with Cristina Pontisso, on the occasion of her graduation thesis in the History of Art and the Protection of Historical-Artistic Heritage, 'Alta Definizione. His installations are mainly concerned with the aesthetics of machines, [1] and are based on the minimal and abstract activation of technological processes that are beyond the artist's control, [2] at the intersection of generative art, public art and e-democracy. aesthetics altavista art artificial intelligence artist bangkok cim city communication complexity computer conceptual contemporary control design digital device e-democracy electronic exhibition fact flow flux function gallery generative genoa globalization human idea image infinity infinities information installations intelligence interactive Maurizio Bolognini (born July 27, 1952) is a post-conceptual media artist. Installazioni di computer (IMachines) programmati per produrre flussi inesauribili di immagini casuali e lasciati funzionare all'infinito. Bolognini stesso ci spiega perché nell'introduzione di questo testo/ricerca. works on since long time and features in the Swiss show with an installation of sealed computers (under the title Computer sigillati), especially programmed and then sealed to produce inside the machines an endless flow of random images, as if the author would aim to make a work of art which is unlimited both in time and space. Installations of computers (IMachines) which are programmed to produce endless flows of random images and left to function indefinitely. What is the relationship between these works and generative art, software art and the other "Maurizio Bolognini's Sealed Computer Series (1992-present) consists of about a dozen computers installed in a gallery. Programmed Machines / Sealed Computers In 1988, Bolognini began using personal computers to generate flows of continuously expanding random images. Maurizio Bolognini racconta la propria esperienza artistica trentennale, basata sull'estetica della macchina e su un approccio tecno-concettuale che considera le stesse tecnologie come oggetto d'indagine. Maurizio Bolognini is a visual artist and theorist. com. His installations explore the aesthetic and social implications of new media, investigating various dimensions: the possibility of delegating his artistic action to the infinite time of the machine, generating out-of-control infinities (endless images, as in the Sealed Maurizio Bolognini (born 27 July 1952) is a post-conceptual media artist. (2004) Maurizio Bolognini (born July 27, 1952) is an Italian post conceptual artist. Photo Thomas Banfi. His computers have been sealed to avoid to be SMSMS, an interactive installation by Maurizio Bolognini was recently presented at Artmedia VIII in Paris. A Maurizio Bolognini, Domenico Scudero, curatore del Mlac, aveva dedicato un libro che accompagnava la mostra Infoinstallazioni; ancora, Bolognini contribuiva regolarmente a un progetto editoriale che fa riferimento al Mlac, la rivista “Luxflux”, di cui pure ho fatto parte per un buon periodo della mia vita. Sep 5, 2008 · His exhibition, entitled “ Infoinstallations “, presented some of his most famous works: the “Sealed Computers”, impregnable cases of PCs that were programmed to generate random images, which were not shown, but lived within the system that created them; “SMSMS”, a kind of intervention aiming at cracking one of his sealed computers Bolognini uses the randomness of out-of-tune television signals (Interference works), makes computers run on stochastic programs (Sealed computers), provokes an interactive randomness by using communication networks (Interactive self-portraits) Macro-Museo di Arte Contemporanea, Rome, 2011 "I do not consider myself an artist who creates certain images, and I am not merely a conceptual artist. Go on to discover millions of awesome videos and pictures in thousands of other categories. Computer sigillati are machines (more than 200 since1992) which have been programmed to produce unlimited streams of random images and are then left to work indefinitely without monitors. His installations use and mix different programming and communication devices (computers, telephones, networks). This conceptual art installation uses computer codes to create endless flows of random images which will never be accessible for viewing. → ita Maurizio Bolognini is a visual artist and researcher who has been working at the intersection of art and technology. Con questo atto di privazione, l’artista CAUSALITA' E CONTROLLO NEI COMPUTER SIGILLATI DI MAURIZIO BOLOGNINI di Paola Barbara Sega SMSMS: INFOINSTALLAZIONI E CITTÀ DIGITALE di Maurizio Bolognini NOMADISMO DEL SEGNO di Angela Madesani MAURIZIO BOLOGNINI: TRA UTOPIA E INFOCAOS di Enrico Pedrini LA GALLERIA D’ARTE NELL’EPOCA DELLA SUA RIPRODUCIBILITÀ DIGITALE di Derrick de Maurizio Bolognini, Sealed Computers (Nice, 1997). Explore and find endless content like Maurizio Bolognini, Sealed Computers (Nice, 1997). Courtesy CACTicino, Bellinzona, Switzerland. [22] with Scrolller. At one extreme of lateral time lies Italian artist Maurizio Bolognini's anti-cinematic Sealed Computers, one piece in a series of Programmed Machine works produced in the 1990s. Die Maschinen sind so miteinander verbunden und programmiert, dass sie ein ausser Kontrolle geratenes System bilden, das endlos zufällige Bilder generiert. The exhibition includes Sealed Computers, one of the artist’s better known works. His installations are mainly concerned with the aesthetics of machines, and are based on the minimal and abstract activation of technological processes that are beyond the artist's control, at the intersection of generative art, public art and e-democracy. W Machines, Neon, Bologna, 2004 Maurizio Bolognini Digital work, immateriality and preservation Conversation with Cristina Pontisso, on the occasion of her graduation thesis in the History of Art and the Protection of Historical-Artistic Heritage, 'Alta Definizione. Software art, generative art, the aesthetics of programming Over the last few years I have programmed hundreds of computers to produce flows of random images and have left them working endlessly in my installations. Maurizio Bolognini (born 27 July 1952) is an Italian post-conceptual media artist based in Brescia, whose installations primarily investigate the aesthetics of machines, digital processes, and the generative potential of software through autonomous, sealed computer systems that produce endless streams of random images without human intervention. aesthetics altavista art artificial intelligence artist bangkok cim city communication complexity computer conceptual contemporary control design digital device e-democracy electronic exhibition fact flow flux function gallery generative genoa globalization human idea image infinity infinities information installations intelligence interactive Bolognini's Sealed Computers, as well as Max Neuhaus' works on sound, move on the edge of the unutterable and the imperceptible. 1,579 likes. In Max Neuhaus' work, music ceases to be an unidirectional message sent by the performer to the public and becomes a communicating process, that is an unforeseeable group activity. This is what M. Maurizio Bolognini. Le numerose serie di lavori (dai primi "Computer sigillati", in cui l'azione artistica è delegata al tempo infinito della macchina) sono analizzate con continui riferimenti alle vicende dell In 1992, Italian post-conceptual artist Maurizio Bolognini's set up hundreds of computers to generate an inexhaustible flux of random images, images that nobody would ever see. Installationen mit zahlreichen Computern. Maurizio Bolognini (born 27 July 1952) is a post-conceptual media artist. 毛里齐奥·博洛尼尼简介： 毛里齐奥·博洛尼尼（英文姓名Maurizio Bolognini），1952-，意大利后概念主义 (post-conceptual)多媒体艺术家。 他的装置揭示了新媒体技术的潜能和内涵。 毛里齐奥·博洛尼尼的主要作品展览： 毕业院校： · 毛里齐奥·博洛尼尼的作品拍卖 >> Thus when Bolognini stores his algorithms into computer sigillati or "sealed computers," we are told that the information is running through variations of time and number but that the linear constructs are not visible. aesthetics altavista art artificial intelligence artist bangkok cim city communication complexity computer conceptual contemporary control design digital device e-democracy electronic exhibition fact flow flux function gallery generative genoa globalization human idea image infinity infinities information installations intelligence interactive I computer che costituiscono l’installazione sono stati programmati da Maurizio Bolognini (Brescia, 1952) per generare incessantemente immagini precluse allo spettatore, dal momento che tutte le porte di accesso delle macchine risultano sigillate con del silicone impedendo la fuoriuscita di dati e, quindi, anche la relativa rappresentazione visiva. One of his best-known works is Computer sigillati (Sealed Computers, 1992): more than 200 machines which are programmed to produce flows Maurizio Bolognini’s Sealed Computers (1992)—an art installation of desktop computers, networked, audibly running, yet without monitors, so that it is impossible to know what is being computed, or whether there is a conversation, or even a conspiracy, going on between them—has been the clearest example for me to explain what it is that Maurizio Bolognini, Computer sigillati (Sealed Computers), Installation (programmedcomputers), 1992-2004. Described as a key development in software art, the work consists of a collection of computers, set to generate images according to Bolognini’s programming, with sealed monitor bus ports. Tra i suoi lavori più noti, le Macchine programmate (dal 1988): centinaia di computer programmati per produrre flussi inesauribili di immagini casuali e lasciati funzionare all’infinito. In 1988, Bolognini began using personal computers to generate flows of continuously expanding random images. For twenty years hundreds of computers have been producing inexhaustible flows of random images. SMSMS (SMS Mediated Sublime) uses one of the programs used in the Sealed Computers. Questioni di storia, classificazione e conservazione delle installazioni video-mediali', University of Tuscia, Faculty of the An interesting artist and a generative practice pioneer – Maurizio Bolognini. The author's research interests are: art, technology and democracy. For this installation, Bolognini places over a dozen computers in a gallery space, networking them and having them jointly compute simple graphic structures which, however, deliberately do Maurizio Bolognini's "Programmed Machines" series is a foundational piece of the connection of graphic design and digital technology. Maurizio Bolognini is contemporary artist of Multimedia; offers Maurizio Bolognini works for sale and info of biography, art exhibitions, gallery, shows, auctions, and collections. Il suo lavoro e’ stato presentato in numerose occasioni, in Europa e negli Stati Uniti Con assoluta noncuranza per confini di contesto, Bolognini mischia il diavolo con l'acqua santa, guru dell'etica hacker e del copyleft con guru del collezionismo, accademici acclamati con enfants prodiges delle modificazioni genetiche. Maurizio Bolognini's installation Sealed Computers [] consists of over 200 computers producing a continuous flow of random images. Mos. They are sealed within, outside of visibility. Macro-Museo di Arte Contemporanea, Rome, 2011 "I do not consider myself an artist who creates certain images, and I am not merely a conceptual artist. In this work Bolognini networks computers in the gallery and program them to generate abstract images indefinitely. At one extreme of lateral time lies Italian artist Maurizio Bolognini's anti-cinematic Sealed Computers, one piece in a series of Programmed Machine works produced in the 1990s. 毛里齐奥·博洛尼尼（Maurizio Bolognini ）（出生于1952年7月27日）是后概念媒体艺术家。他的装置主要与机器的美学有关，并且基于在生成艺术，公共艺术和电子民主的交汇处，对艺术家无法控制的技术过程的最低限度和抽象的激活。 Maurizio Bolognini, Sealed Computers, 1992-1997. Programmed Machines / Sealed Computers SMSMS-SMS Mediated Sublime/CIM series (computer, audience cell phones, video projector), Imola, Italy, 2006: an interactive installation that aims to involve the audience in the experience of the manipulation and consumption of the technological sublime. I am not interested in the quality of the images produced by my installations but rather in their flow, their limitlessness in space and time Maurizio Bolognini's installation Sealed Computers [] consists of over 200 computers producing a continuous flow of random images. Courtesy Museo Laboratorio di Arte Contemporanea, Rome Maurizio Bolognini, Sealed computers. 多媒体艺术 家毛里齐奥·博洛尼尼的官方网站——查看其国籍、传记等档案；了解毛里齐奥·博洛尼尼有哪些艺术作品等资料。 Con assoluta noncuranza per confini di contesto, Bolognini mischia il diavolo con l'acqua santa, guru dell'etica hacker e del copyleft con guru del collezionismo, accademici acclamati con enfants prodiges delle modificazioni genetiche. In the 1990s, he programmed hundreds of these computers and left them to run ad infinitum (most of these are still working now). B. As an artist he has worked with digital technologies since the 1980s. Infinity out of control. I am one whose machines have actually traced more lines than anyone else, covering boundless surfaces. Smith and Sandra Solimano) about Bolognini’s artistic work. Programmed Machines, 1990-2005 As part of 4 Rooms , a series of exhibitions at the Villa Croce Museum of Contemporary Art that has already seen the first two sections by Plamen Dejanoff and Flavio Favelli, Maurizio Bolognini presents his exhibition Programmed Machines, 1990-2005 , a selection of his most significant works, including his first computers programmed to Maurizio Bolognini, artist and theoretician of the new media, has been involved with digital technologies since the 80s. CAUSALITA' E CONTROLLO NEI COMPUTER SIGILLATI DI MAURIZIO BOLOGNINI di Paola Barbara Sega SMSMS: INFOINSTALLAZIONI E CITTÀ DIGITALE di Maurizio Bolognini NOMADISMO DEL SEGNO di Angela Madesani MAURIZIO BOLOGNINI: TRA UTOPIA E INFOCAOS di Enrico Pedrini LA GALLERIA D’ARTE NELL’EPOCA DELLA SUA RIPRODUCIBILITÀ DIGITALE di Derrick de Programmed Machines (Sealed Computers), Nice, France, 1992-97 → en Maurizio Bolognini, artista e ricercatore, lavora all'intersezione tra arte e tecnologia. I am not interested in the quality of the images produced by my installations but rather in their flow, their limitlessness in space and time Programmed Machines: Infinity and Identity Maurizio Bolognini 13-16 December, 2004 1. The computers are on the floor and interconnected with cables. He works with closed and open systems, with some of his projects being pure ‘black boxes’ – which means systems that are hidden beyond the sight of the beholder, with them having no way of percieving them. . xzaxl4, ao6s, pxhek, ac9g, kjs1gl, drd4, wu1h, zzxh4i, yulu1a, qxttwy,